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[P2D]⋙ [PDF] Free The Atrocity Exhibition JG Ballard 9781889307039 Books

The Atrocity Exhibition JG Ballard 9781889307039 Books



Download As PDF : The Atrocity Exhibition JG Ballard 9781889307039 Books

Download PDF The Atrocity Exhibition JG Ballard 9781889307039 Books


The Atrocity Exhibition JG Ballard 9781889307039 Books

Ballard shows him-self as important author of fantasy genre. But here he doesn't write a romance, but he constructs a typical explication about several arguments related to his production of romances. All those "escamotages" which represented the factors of success of "Crash" and other principal books are descript with his particular style. So we can see the importance of role of the single words, noting as the sound is relevant for the attention of the lector, but also the "catarsi" has a sense for the developpement of the action. Therefore the violence leaves the "scenario" to a Greek aspect of tragedy.

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Tags : The Atrocity Exhibition [J.G. Ballard] on Amazon.com. *FREE* shipping on qualifying offers. <DIV> The Atrocity Exhibition</i> is J.G. Ballard's most complex, disturbing work, with fabulous photos by Ana Barrado and artwork by Phoebe Gloeckner.</div>,J.G. Ballard,The Atrocity Exhibition,ReSearch Publications,1889307033,Literary,Science fiction.,Ballard, J. G. - Prose & Criticism,FICTION General,FICTION Literary,FICTION Science Fiction General,Fiction,General & Literary Fiction,Modern & contemporary fiction (post c 1945),Modern fiction,Science fiction

The Atrocity Exhibition JG Ballard 9781889307039 Books Reviews


I will not repeat what others have written as all the praise is indeed justified for this classic.
I would like to add that the illustrated edition by ReSearch is the edition to have (I am not sure if this is the one that is currently available from ). Phoebe Gloeckner's work and the B&W photographic collages really add tremendously to the already powerful words of J.G. Ballard.
Strange, but with great purpose. Ballard's repurposing the American landscape with sci-fi themes, connections of pornography, eroticism and violence, and more are explored through "condensed novels."
I purchased this item and read it while the UK was all about the Royal Wedding. I couldn't help wishing Ballard were alive to say something about that...

Be that as it may, this edition is absolutely superb not only it includes an interview with the author and a short story ("The Smile", written in 1976), it also includes a series of notes from Ballard himself at the end of each chapter. I find these notes extraordinary in every way. Not only for helping in understanding a few things that, for us who were born long after the book was written, may not be as familiar as they were in the '70s, but especially for the things Ballard says about our world, today. It's 2001-Ballard reading what 1970-Ballard wrote. Very enlightening.

My suggestion, for those who haven't read Ballard but want to, is to begin with "Crash". It helps to have that in mind when reading "The Atrocity Exhbition", even if it was written a few years later. For die-hard fans of Ballard, this is a must.
To call this a novel is a bit of a misnomer. Ballard himself recommends that first time readers just flip the book open to a random page and start reading when they find something interesting, and that is pretty much what it reads like; a collection of bizarre descriptive passages written in a detached, clinical manner. The author is not in the least bit reluctant to examine, re-examine, and re-re-examine his pet obsessions of sexualized car crashes, sexualized highway overpasses, sexualized celebrities, etc. Interestingly enough, with all of this sexual underpinning, "Atrocity Exhibition" is neither erotic nor titillating, and the label of "pornography" is far from accurate unless descriptions of clinical intercourse and disconnected / abstract breasts and other body parts on billboards are what gets you off. Taking into account when this book was written (the modern footnotes by the author are fantastic and my favorite part of the book), Ballard does indeed anticipate and predict the corrosive effects of our current circa 2017 popular culture, especially when it comes to the confluence of sex, celebrity and violence... sort of. The reader really does need to bring their own experience and insight to this party to flesh out the rather sparse and tenuous "plot" such as it is. As others have noted it is very tedious if not impossible to determine which character is which as apparently the same characters are referred to by multiple names and their motivations, if they have any, are abstract and in some cases make no sense whatsoever except to themselves (and, I assume, Ballard, although maybe not). Of the books I have read over the years, only "Naked Lunch" bears resemblance to "Atrocity Exhibition". Personally, I find Burroughs's book to be rather more well written and with longer passages as well which stand on their own as "mini novels". Furthermore, from a sexually transgressive standpoint, "Naked Lunch" buries "Atrocity Exhibition". Perhaps even when freeing his mind onto the printed page Ballard was still under the sway of that powerful English Restraint while the proud American degenerate Burroughs was plumbing deeper processes of degradation. "Atrocity Exhibition" is definitely worth a read and it likely deserves re-reading, but if I were to be asked if I enjoyed it or even worse if I were to be asked to explain it? Well, the three stars pretty much sums it up; "It's Okay".
Ballard shows him-self as important author of fantasy genre. But here he doesn't write a romance, but he constructs a typical explication about several arguments related to his production of romances. All those "escamotages" which represented the factors of success of "Crash" and other principal books are descript with his particular style. So we can see the importance of role of the single words, noting as the sound is relevant for the attention of the lector, but also the "catarsi" has a sense for the developpement of the action. Therefore the violence leaves the "scenario" to a Greek aspect of tragedy.
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